Friday, April 15, 2016

Project Runway All Stars Season Five Episode Ten, or, Everybody Smoked Crack This Week

I'm not feeling this week's episode. It annoyed me, and I'm tired (it's been a stressful week). Despite the presence of two of my favorite PR designers, Dom and Kini, I am finding this season of PRAS to be altogether lackluster and repetitive. While Dom has been cranking out great stuff every week, she's barely being recognized. Kini's done some good stuff, but he's too busy rolling his eyes at Sam to reach his true potential. And I'm starting to feel that this season is being manipulated so that Sam gets the win at the end. Not that he's a bad designer, not by a long shot. I just don't think he's shown anything this season that's good enough for a $100,000 grand prize. I hope I'm wrong, because I don't want to end this season angry, as I was at the end of PR Season 8, when Gretchen won. Gretchen. Still makes me grind my teeth when I think about it.

On with the whining.

This week, the designers are back at their normal beginning-of-the-show meeting spot - the runway. Alyssa comes in wearing black pants and a red jacket and she looks...amazing. And in a good way.

I'm so busy being shocked at Alyssa's transformation that I almost miss the name and organization of her special guest presenter, Yvonne Niami. Niami is a philanthropist, which means she gives money away to good causes. She is so philanthropic, in fact, she founded a company called n:philanthropy (which I can't help but want to call "En Colon Philanthropy" because punctuation + the lack of capital letters is pretentious) to remind everyone about her super-philanthropic-ness. With its creative director, Alexandre Caugant, the company produces "apparel with a purpose/fashion with a mission." (It also appears to be "athleisure" wear.) Ten percent of the net proceeds of En Colon Philanthropie (spelling change in honor of the French dude) go to pediatric cancer research and animal welfare. Ten whole percent. I've never found 10% to be an incentive to buy anything, sales included. It's a mere one out of every ten dollars, and a dollar doesn't go all that far, particularly when it comes to medicine. I'd rather give money directly to an organization; you can keep the $128 shrunken sweatshirts and $70 distressed "BFF t-shirts." "But," you sputter, "$12.80 cents of that sweatshirt goes to Children's Hospital Los Angeles!" Nope. That would be 10% of gross earnings. This is net, which means after expenses and taxes and all the other expenditures that come with running a business. We have no idea how much really goes to help others without seeing their financial paperwork. (Stuff to keep in mind before you donate to any charity: how much do the people who need it really get? If not a lot, then find someplace else to give.)

So the challenge this week is to make something that fits a lot of random adjectives: modern, sophisticated, and badass. The designers need to create something fashion forward for summer, to be worn by a "rebel with a cause." Everyone pretends to be excited, but you know they're all just exhausted by this point. I know I am. (Being marginally clever is hard work.) And the winner of the challenge gets to design a look for En Colon Philanthropie's summer line. All the profits from this look go to Children's Hospital LA, so at least that's something (in other words, you can feel good about buying the winner's collaboration).

The designers head off to sketch and shop at Mood, where the budget is $250. Ken and Asha both say that the sophisticated badass woman is just the person for each of their aesthetics. Josephine Baker is Asha's ideal "rebel with a cause," so why does she choose to work with the abstract patterned fabric that Peytie used in the last two episodes of Project Runway Junior? It doesn't exactly scream "talented and exotic dancer who made her mark in France because her home country of the US didn't get her, never depended on a man for financial support, did undercover work for the French during WW II and was a sub-lieutenant in the Women's Auxiliary Air Force,  adopted 12 children of different ethnicities (eat your heart out, Angelina Jolie), and received a 21-gun salute at her Paris funeral before being buried in Morocco." But whatever. Details.

Kini buys some crazy-ass acid yellow and silver lamé/damask fabric (we'll call it "lameassk"). Fabric choices have certainly been out there this season.


Dom chooses various metallic fabrics and lamé, because, you know, it needs to be a summer look. "Summer" is the only thing that Sam heard, so he buys seersucker.

Back at the workroom, Sam tells us he's making--surprise!--a jumpsuit. I know when it's summer and I'm sweaty and gross, I definitely want to struggle with taking off a jumpsuit when I have to pee. Actually, that's true any time of year. Jumpsuits, and their sassy cousin, the romper, might look cool, but they are not practical unless you have a catheter, in which case they need to have wide legs. And, to me, seersucker screams "pretentious yuppie in a straw hat," or maybe "railroad worker." Sam admits that it's easy to make black look badass, but that one would need to "design the hell" out of pretentious yuppie/railroad worker fabric to achieve the same result. So why make the challenge even more challenging?

In the sewing room, Sam blurts out "Mommy wants me to wear one of her old suits; I'll show her." We're going to assume that he's speaking in the voice of the woman he's designing for, some child (or pretentious yuppie) that still calls her mother "Mommy" and has some sewing skills. As if "Mommy" even had a seersucker suit. Dom is in the room with him at the time and tells us the he must design for 15-year-olds.

 Somebody has to design for 15-year-olds, I suppose.

Zanna comes in for her weekly chat, and brings Yvonne Niami with her. Niami is wearing an En Colon Philanthropie pleather dress with long fringes. Trashbag Chic. They start with Emily's "rework of a power suit," and suggest that she might be doing too many things, what with a hand-painted vest, voluminous print pants, etc. Emily decides to crop her pants to keep things more summery. Asha's look, which not only involves Peytie's fabric but also lots of semi bondage-esque straps, seems to read fall-winter (but it doesn't, really, they just need something mean to say). Dom's silver and black dress is also not particularly summery, and maybe a bit too sophisticated, without that "Dom edge."

Zanna calls Kini's crazy yellow genie pants with sorta matching yellow tweed jacket a "disco banana" (pronounced buh-nohh-nohh) and says it needs to look more "sophisticated call girl." Or maybe she said sophisticated cool girl.

Sam's jumpsuit look is "safe" and "Hampton's," which I suppose they meant as an insult, but considering that people who go to the Hampton's will probably be the ones buying this stuff, it's actually not.

Sam doesn't want to send "safe" and "boring" down the runway, so he decides to take his jumpsuit apart with two hours left in the day and start over. Doesn't he do this every other week? He's switching to a spin on a "rock and roll tuxedo." Unfortunately, he's still using seersucker, a fabric that Kini associates with babies. Pretentious yuppie babies that work on the railroad.

After the "disco banana" comment, Kini decides to dip dye his yellow jacket with black. I couldn't help but think, as he slipped on a black rubber glove, of OJ Simpson. And nobody wants to think of OJ Simpson.

And the black dye? Not an improvement. In fact, it might make things even worse. Sam says Kini's look is "more drag queen than badass," and that the "weird iguana genie pants" makes his model's ass look "3 feet wide." But Sam is using seersucker. SEER-SUCK-ER. So he shouldn't really talk.

Ken, who thinks his pants are "faboluss," is having a problem with the top. He's using an orange-y fabric not all that different in hue from the neoprene he was stuck with in that awkward fabric-switching challenge a few weeks ago, but he just can't make it do what he wants. Not that he knows what he wants. He thinks it looks cheap and ugly, and last time he did ugly, he went home. Dun dun DUN!

On to the BJs Wholesale Warehouse Hair and Makeup Studios, where we hear the show's resident makeup guru, Scott Patric, say the strange but somehow magical words "gelato swirl illuminator in ballerina." What can it mean?

After makeup and still without a proper top, Ken grabs some of the white fabric he used for the pants and whips up a halter in the five minutes they have before heading out to the runway. It's pretty, but it's not anything we haven't already seen. In the 1970s.

Speaking of 1970s, Dom's cranked out something that would make Bob Mackie and Cher proud. So much lamé and silver. So over-embellished. In fact, it reminds me of the "fortune teller" costume that I had for my Cher doll in the 70s (see below).

On to the runway!

After doing so well in her first appearance, Alyssa has slipped from "looking great" to full on crazy. She looks dumpy and neckless, even a little bit...fat. The wide expanse of black fabric across her ample bosom is simply unflattering. While the getup she's wearing might be fine on a 6'1" model with a long bony neck, on someone 5'2", it looks costume-y. Like a Princess Leia reject.

She introduces this week's guest judges, actress and star of Cooking Channel's Extra Virgin, Debi Mazar, and regular PR judge, fashion designer, and brooch-wearer, Zac Posen.

The runway show is unspectacular. And short, as there are only six designers left.

Emily's look is terrific. Not sure that culottes are "badass" but the overall look works with all of the adjectives assigned at the beginning of the challenge. Everybody loves it, but Isaac doesn't get parts of it. When they were back in the workroom, Ken wondered, admiringly, how the various shapes in Emily's designs come to her head. Some people are just unconventional thinkers, which may or may not make them better artists.

Kini wisely decides to leave the ugly yellow and black jacket in the workroom. His pants are quite enough, thank you.  He gets mixed reactions, from a "kooky 50s throwback" to "summery, edgy, and ballsy." Georgina is perplexed. Somehow he's on the top.

Sam's jumpsuit is just...odd. Zac doesn't love it, and Alyssa doesn't equate seersucker with "badass" (of course not) but the other three judges seem pleased. Even though there's something very "Baby Bjorn" to it, only missing the baby. The pants fit very well, but I have to hope there's a side zipper going on somewhere, otherwise how does this thing come on and off? And there's definitely no place to hide a catheter.

Bob Mackie's Dom's look isn't summery at all, and the slit is too high. It is badass, and definitely Dom, what with all the embroidery and various fabrics and quilting. Had the challenge been anything else (create a modern interpretation of a baked potato; create something for a Kardashian to wear to the movies; create something for Cher! The Musical), it might have won. As it was, Dom ended up on the bottom.

Ken's "faboluss" pants were neither badass nor fashion forward. Isaac thought they were too long, which they are. Ken got mouthy and said that his model walked just fine, but that's not the point. They are too long. If the top of the cuff is dragging on the ground, they Are. Too. Long.

Asha's Peytie Bondage dress was also on the bottom. It's really not a bad design, but it's poorly made. The straps are all weird, and the fabric is too stiff for the cut of the skirt. It's vaguely badass, and I don't think it's un-summery. Debi Mazar thinks it's dated and something Sylvester Stallone's second ex-wife Brigitte Nielsen might have worn. Which makes it 100% not Josephine Baker-esque.

Emily gets the win, as the only person in my mind who should have been on top in this challenge. Now she gets to design an inside-out cropped sweatshirt or a plain white T for En Colon Philanthropie. (Woo f-ing hoo, but remember,...100% for cancer research.) I think Ken should have been put out of our misery this week. It's clear that he's sick and tired of holding it together by this point (his big smiles at Zanna and Yvonne during the critique seemed painfully fake). But he gets to stay on, and Asha is kicked to the curb. I don't think she deserved to go, but as Kini opined in the green room, even good designers are eliminated at this point.

Next week: Boy George! And someone is sure to make a jumpsuit.

Posted by theminx on Opalescentminx.com
Because of recent content theft, I am forced to add this new statement to the end of my posts: If you're reading this post anywhere besides the Opalescent blog, OpalescentMinx.com (also http://minxbeads.blogspot.com) then this content has been stolen. Please do not support this thief!

Flashback Friday - Patricia Choux for biehl parfumkunstwerke

This post was originally published on February 11, 2008.
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Patricia Choux for biehl parfumkunstwerke

Patricia Choux, noted as having a "crazy" style, has given me the impression of anything but. Her two fragrances for German firm biehl parfumkunstwerke (literally, "perfume works of art"), one bright, one warm, are both quite civilized and lovely scents. It's the price that's crazy. ;)

pc01

Notes: tangerine, neroli, davana, mango leaves, peony, iris, mango, Kashmir wood, vetiver, musk

Patricia Choux's first scent for Biehl is a bright fresh green with juicy tangerine and that peculiar yet lovely smell of mango leaves. It's fresh and cheerful and should find many fans who also like Jean-Claude Ellena's citrusy scents for Hermes, as they share this joyful brightness underscored with woods. The drydown has a bit of vetiver and musk, but not much else to take away from the still-present tangerine goodness.

pc02

Notes: bergamot, white lavender, cardamom, spices, peony, freesia, precious woods, patchouli, tonka beans, honey, musk

This fragrance opens up with a bit of powdery lavender and cardamom with a light woodsy background that eventually deepens. With the woods comes the sweetness of honey touched with vanilla. It's almost gourmand in quality, but the lingering powdery aspect keeps it out of that realm.

Hours into the drydown, this scent reminds me of Nelly Rodi Scent Factory Rose, a cardamom-laced fragrance I absolutely love and wish was sold on its own. pc02 has much better lasting power.

It strikes me that the two Patricia Choux scents, when layered, would make for a very sophisticated creamsicle.

Posted by theminx on Opalescentminx.com
Because of recent content theft, I am forced to add this new statement to the end of my posts: If you're reading this post anywhere besides the Opalescent blog, OpalescentMinx.com (also http://minxbeads.blogspot.com) then this content has been stolen. Please do not support this thief!

Friday, April 8, 2016

Project Runway All Stars Season 5 Episode 9 or Athleisure is an Ugly Word

This week, the designers find themselves at Coney Island, only they're not going to eat hot dogs and ride roller coasters (especially not one after the other). Instead, they head to the poetically named MCU Park, home of the Brooklyn Cyclones, a Mets-affiliated A-class minor league baseball team. Alyssa meets them there, along with their models, all attired in what is to be the theme of this week's challenge - athleisure wear.

Eight years ago, she created Touch by Alyssa Milano to satisfy the needs of women who like to look pretty while watching men smash things like cleats or hockey sticks or each other's faces into turf or ice (or each other's faces). Also for those women who don't really like sports but pretend to so they can attract men (or women) who do. In any case, this week, the seven remaining designers have to take inspiration from Alyssa's line to create high end athleisure wear that can take a woman from the runway to the game to dinner. And in the tradition of Heidi Klum, she'll steal the winning design for her line. Now if that's not incentive.... The designers pretend to get excited. Seriously, do the producers feed them lines for their cutaway interviews? Dom seems especially pumped to design something for Alyssa. I don't get it.

I also don't get "athleisure," a portmanteau of "athletic" and "leisure." Ok, I do. It's the inevitable next step in the devolution of American fashion. It's a celebration of complete and utter laziness, coupled with a bit of arrested development, stemming from people thinking that it's perfectly fine to wear sweat pants and yoga pants (yes, and pajama bottoms) when they go out in public. Like college students on an afternoon Doritos and beer run. Now, a show about fashion is encouraging people to wear their yoga pants (which of course they have never used for actual yoga) not only to the grocery store, but also out to dinner. Over the years, dress codes have relaxed, and nobody blinks an eye at women wearing baby pink Juicy Couture sweatsuits, or leggings with PINK! emblazoned across their ample asses, paired with UGGs. It's shameful. It's not even ok to dress this way at Applebee's, much less any place with cachet, like a public sidewalk or insane asylum.

It is ironic that a show like Downton Abbey, which depicts an age when the wealthy changed into task-specific outfits several times a day and wore formal wear to dinner every night, was so popular in this country of people who can barely be bothered to take off their sleep wear during the day. [/rant]

The designers spend some time in the stands at Municipal Credit Union Park sketching. Asha tells us that she thinks both Sam and Layana have an advantage in this challenge since "athleisure" is their thing. A portent, perhaps, that both are going to end up on the bottom?

At Mood the designers have the customary $200 budget and 30 minutes in which to spend it. We see several of them clustered in the neoprene aisle, because thick, sweaty polyester is sooo comfortable to lounge in, especially after an exhilarating scuba dive. Kini and Sam find that they have both purchased the same mesh fabric that Sam used last week, which while slightly unimaginative, is a sight better than that hideous blue and silver lace from two weeks ago.

Back in the workroom, when Sam sees the intricate seaming pattern Layana is using for her leggings, he tells us that she may be his biggest competition this challenge, but he must get his dress in Alyssa's line. That's practically a guarantee both are on the bottom.

It seems that everyone has bought blue fabric. Dom is concerned that everyone's work will end up looking the same. This is something that has come up regularly over the many seasons of Project Runway. When two designers have the same or similar fabric, someone has to pipe up that they worry that there will be similar looks. How is that possible? Each designer has his or her own style and way of doing things. There's no way that similar fabric will turn out similar clothing from different people, except by freakish chance. In fact, I'd like to see a challenge to address this. Every designer must use the same exact fabrics. I guarantee, that given no other challenge parameters (like create "athleisure" wear, or a flight attendant uniform) that no two looks will be similar.

Zanna pops in for a critique. She's wearing lace. Is this considered "athleisure?"

Sam is working on a blue neoprene dress with an overlay of white mesh. He also has some black lace that he's attempting to make work. (I'm beginning to think he suffered a mild stroke in the fabric choosing portion of his brain.) At the moment, he has the lace all down the back of the dress, which prompts Zanna to call the front "ath" and the back, "leisure." Which causes my own small stroke because the word "leisure" conjures up images of polyester suits with wide collars and contrasting topstitching and Las Vegas tourists in ugly shorts with dark socks and sneakers. Not lace.

Zanna seems to like Asha's look, a sports bra and a skirt that resembles the lower half of a baseball jersey. She calls Dom's batwing dress unique, and finds Kini's and Layana's designs to be more "sporty" than "athleisure." Which causes me to have another mini stroke. Not all that long ago, most non-evening, non-couture fashion was called "sportswear." It had nothing to do with sport of any kind. It involved skirts, blouses, jackets, you know, average clothing seen everyday. Clothing for people that weren't too lazy to pull up a zipper or button a button. Why is Kini's oversized baseball jacket and jeans "sporty" but Dom's convertible dress "athleisure?" The latter is clearly sportswear. Layana's pants are leggings; how is that not "athleisure?"

I am so confused. Even more confused when Zanna tells Emily that the subtle cowl neck she plans to put on her top is "too lady who lunches." I love a good cowlneck, but I am not a lady who lunches. Some might claim that I'm not particularly ladylike, either. Zanna does seem to like Ken's lace hoodie though, which looks better close up than it does from a distance.

But poor Ken is having issues. He ends up sewing the shoulder seams wrong and starts to get, as he says, "fustrated." So fustrated, in fact, that he puts everything down and walks out. We see him hailing a cab while the remaining designers wonder what the hell just happened.

The next day, the designers are back in the workroom, but still no Ken. He then strolls in and gets back to work as if nothing happened. And while Sam calls Ken a diva who, if he had hair he'd be flipping it, it's clear to see that the young man has really matured in the last couple of years (Ken, not Sam). On his season of Project Runway, there was a famous ironing-in-the-apartment scene between Ken and Alexander that did not end well. I don't think many viewers would have been shocked if Ken had swept out of the room melodramatically, cursing loudly, but he was rather low key about it. As he tells us, he felt like he was about to explode, and he didn't want to take it out on his fellow designers. He was frustrated with himself, so he took himself away from the situation.

As he was wearing a different outfit when he returned to the workroom, it's clear that at some point he went back to their living quarters. Or one of the producers brought him clothes. Or something. Ken tells us he had a good night's sleep, but where did he sleep? Perhaps someone can shed a little light on the situation for me?

The designers scramble to finish. Layana drapes a top with Ken's white leather, then decides it's too casual. She drapes another with a dark fabric and adds a bit of leather to it before pronouncing it perfect. Ken decides his outfit needs more of the black lace and quickly sews on a pocket. He throws some shade Sam's way, suggesting that his simple a-line dress is what a "10-year-old would make with her first pink sewing machine." Ouch. And that he puts flats on his model because he knows Isaac favors flats. Sam is not dumb, Ken.

Time for the runway!

Alyssa is wearing what I'm going to call "ath-ugly." A cheap-looking t-shirt with cropped drawstring sweatpants is bad enough, but the shirt also features a bizarre white and gold overlay, not unlike particularly fancy chicken wire. A big fail from Touch by Alyssa Milano, IMHO. Lots of oversized jewelry and dramatic eye makeup complete the look, along with yet another pair of ankle-strap shoes. What's with the ankle strap shoes?

The guest judge this week is Kristin Cavallari, former star of reality shows Laguna Beach: The Real Orange County and The Hills, and wife of Chicago Bears QB Jay Cutler (that's quarterback, for you non-sports fans). I guess the fact that she was on shows that also starred Lauren Conrad (who attended FIDM and has designed for Kohl's) and is married to an athlete gives her enough fashion clout to judge a competition. (She has designed a shoe line with Chinese Laundry, but um, who cares? It never will be quite the same as actual designer Christian Siriano doing a line for Payless.) Also, fellow football wife who might actually know something about fashion, Gisele Bundchen, wanted too much money. They didn't bother asking Elizabeth Hasselbeck (who is also a football wife).

There are only seven designers left, so I will talk about all seven looks, including Emily's.

Safe once again this week, for whatever reason. Emily's look is great. It's soft and flowy, leisurely without looking like cheap athletic wear (ahem, Alyssa). Her model would be the chic-est gal at the ballpark, and would definitely not look out of place enjoying dinner somewhere nice. And then she could even go clubbing. I think the look is that versatile.

Now for the top looks:

Dom is truly a master of mixing patterns and fabrics. There were differences of opinion about the length of the skirt, but the overall idea of making the dress transition from day to evening was well-received. Isaac thought the illusion back was "everything." It's pretty fab, as per Dom's usual.

Kini's jacket is also great, clearly borrowing athletic details from baseball warm-up jackets. Georgina wasn't too fond of the crotch on the jeans, which Kini called "boyfriend" style, but overall everyone liked this look. I'm not sure how it fits the "athleisure" requirement, as nobody is going to do anything particularly athletic in jeans and a long-sleeved shirt, nor in a coat. This is straight up sport wear inspired sportswear.

Asha's look was also on top, Her skirt is clever, though the judges don't seem to like the buttons she used. I didn't understand what they meant at first, as Asha's inspiration was a baseball jersey and they do have buttons. However, an entire jersey only has six buttons, and the skirt sports 10. As they are non-functional, she could have gotten away with only using four, and definitely not extending them all the way to the hem. Otherwise, well-made and cute.

Now for the bottom three. It was actually hard to tell who was on the bottom, since apart from Dom and Kini, the judges feedback for four of the looks (including Asha's) was pretty mixed.

Ken was on the bottom. Personally, I thought it was cute, and a good idea. It seemed to fit the challenge well: I could see this worn to a game, and then to dinner. Isaac thought it looked cheap, and I think that's one of the problems with using lace. Kristin Cavallari liked it, but who cares?

Sam declared his dress "athleisure couture," but it really looks like the result of the Placemats by Pier One unconventional materials challenge. Yes, it's cute, but it's a party dress. Georgina claimed she would wear it to a sporting event, but then she wouldn't go to a sporting event, and even if she did, it would be a polo match or horse race or somewhere else people drink Pimm's and wear ugly hats. Isaac is swayed enough by the flat shoes that he loves the look, but Alyssa considers it a slap in the face. Kinda the same way I feel about just about everything she has worn this season.

Layana's look was also on the bottom, despite the flats. The judges determine the leggings aren't flattering; I think they are an odd length, although they don't look bad in the photos. Were they full-length, I think they'd be better. The pattern and construction was certainly unique and Layana deserves props for going to all the effort. The judges weren't happy with the top and didn't think the two pieces worked together. Personally, I think Layana should have stuck to her original white leather top, which while simple, didn't detract from the pants at all.

Back in the green room, the tops and bottoms give Emily the rundown of criticism. Sam seems proud that even though he's on the bottom, Georgina would wear his dress. That comment got us the best facial expressions of the show.

This week's winner is Kini, because you know Alyssa could see a Mets logo plastered everywhere on that jacket. Dom's dress was the best, I think, but it was far far FAR too high-end for Touch by Alyssa Milano. Even after modifying it (which Alyssa stated more than once that they'd do to the winning design) it wouldn't be cheap enough and still have the same feel. (But be on the lookout for an oversized sweatshirt with snap-off skirt extension coming to the line sometime in 2017!)

Layana, after spending several of the last weeks on the bottom, is released from her design duties and sent home. I am relieved.

Next week: More Kini vs. Sam and Alyssa vs. Her Wardrobe.

Posted by theminx on Opalescentminx.com
Because of recent content theft, I am forced to add this new statement to the end of my posts: If you're reading this post anywhere besides the Opalescent blog, OpalescentMinx.com (also http://minxbeads.blogspot.com) then this content has been stolen. Please do not support this thief!

Flashback Friday - Project Runway - Nein!

This post was originally published on January 24, 2008.

Man, I was really cruel. Love it.
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Project Runway - Nein!

At the start of this episode, the remaining seven contestants are transported across the East River to a filthy Port Authority warehouse containing several hundred pairs of Levi's 501 jeans in various washes, hung like so much dirty laundry.

This week's challenge was issued by guest judge, Levi's creative director Caroline Calvin: "Create an iconic denim look of your choice that captures the originality and creativity embodied by the Levi's spirit" (or some ridiculous PR hooey like that).

It's Ready! Set! Go! as the designers race around madly, collecting garments with which to construct their newest project.

Back at Parsons, the designer set to squabbling. Christian, in his infinite wisdom and maturity, decides to harp about the challenge.

"Deconstruction. I did that in design school."
"Blah"
"I feel so manly working in denim."

Despite working well together last week (at least according to the editing), Chris had enough of Christian's whining:

"Someone give him a bottle and send him to bed."

"Christian is like a cartoon character," opined Rami. "If I had hair, I'd want to tear it out of my head."

Why not just grab a handful of Christian's instead? Bet it feels crusty.

As we look around the room at the designers' creations, we see that Victorya and Jillian are both making trench-coat-like garments. Jillian is a bit ticked because she thinks Victorya is stealing her idea from last week. But Jilly, baby, just because you got praised for it once doesn't mean you should do it again. It didn't work for Rami, and it won't work for you.

Tim Gunn then comes in to make disparaging comments about the works in progress.

Sweet P's denim wedding dress (!) makes Tim think of "happy hands at home granny circles" despite there being no grannies or circles in the vicinity. She gets extremely dismayed at his comment and immediately starts to change her design. Remember, the last time this happened, she ended up with a skirt resembling the sta-dri lining of a maxi pad.

So what did all this denim become in the end? The judges seemed really enthusiastic this week, giving far more praise to the designs they liked than usual.


Rami: No draping! Nearly-innovative use of zippers as ornament (see Sebelia, Jeffrey)! The judges were quite relieved to see something that they didn't have to pick apart. And the rest of the world was relieved that he wasn't such a royal ass this week.


Christian used pant legs as sleeves and sleeves as pant legs. The judges were too busy fawning over and petting the Shih Tzu that they didn't seem to notice that Christian made yet another jacket, and one that was patched together with different shades of denim creating a sort of fabric Frankenstein. In fact, it looked like he took this outfit and added extensions. And what's with the bulgy shoulders? Why is it that other designers get slammed for creating similar looks, but Christian hears nothing but praise?


Jillian's coat seemed like it could be a good idea at first (ignoring that we already saw it last week) but it ended up a hot mess in the end, with rough seams, too many fussy details, and mismatched denim. It was too complicated and ambitious for the amount of time allotted, particularly for one with time management issues. She's lucky that Victorya's coat was even uglier.


Chris disappointed the judges this week. After his dramatic creation last week, he delivers a boring version of a little black dress. It looked rough around the edges, and Heidi complained that it looked "home-sewn." MK thought it was "very Joan Cusack in 'Working Girl.'" Oh, were she that classy, Mike!


Sweet P, whose doom seemed all but spelled out in the workroom under Tim's baleful gaze, managed to create a nice strapless dress out of her potential nightmare wedding dress. Michael Kors thought it was "super-chic" and said it had some "slimming Voodoo." No, Michael, that model is a stick insect. She's so scrawny, she disappears when she turns sideways. It's not the dress.


Ricky: The judges are happy to see that Ricky finally put his lingerie experience to work. They wet their respective panties and proclaim the dress a miracle. Michael Kors foams at the mouth over Ricky's styling choices, exclaiming, "I love Amy Winehouse!" (Were I the model, I'd be insulted. I love Ms Winehouse too, but have you seen what that crackhead looks like these days? Truly sad.) And the biggest miracle of all - Ricky pulls off a win. To celebrate, he cries (natch).


Victorya turned out a "reconnoitered jacket with a party skirt glued on." Can't agree with you more, MK. It was sloppy, amateurish, and as noted by Nina, uninspired. Not to mention too similar to Jillian's coat. While this fembot has occasionally looked good for the final four, she got the boot this week.

Can't say I'll miss her.


Posted by theminx on Opalescentminx.com
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